Adam Gilbreath



It’s presently

                     



About


Selected Works

2024

          Tucson Section

          Once There Was and Once There Wasn’t...

2023

          4D
          The Garden at the End of Time 
          White on White #6-8
          Untitled #4         

2022

          Wash Monolith               

Contact

Wash Monolith 


Wash Monolith, photo by Hallie Letsinger
The monolith is born from two objects, concrete slabs (6’ x 3’ x 4”) cast off site and arranged in place on site. These objects extend no meaning beyond their own existence. But, they are knowingly placed with designed intent. They are resisting entropy, and by arranging them within the wash site we can highlight this; the flow of water and the act of erosion provide contrast to the realtively stable monolithic forms. 

The objects when viewed together become a larger combined object. Their meaning extends beyond the two distinct objects and generate a conjoined “third object” that is implied. This Implied object exists outside of the material world, it may stem from the material world however the idea of the joined object does not exist in the real world. The formal ordering of the objects and apparent intention of their placement give them meaning beyond their physical existence, and the viewer and occupant perceives this. 

The formal ordering of the wash monolith is anti-entropic in nature. A violent act made against the flow of energy in the universe. The knowing assemblage of objects created through human energies and intervention resists the slow descent of the universe into entropy the same way our human bodies do. We eat, burn calories, to fuel our vessels as we resist the entropic pull around us. So, we see similarities between ourselves and acts of creation.  Energy was spent to push the objects out of entropic flow and into a higher level of order than they were previously existent in. It becomes a very human act of expression to watch this object decay. It attempts to resist entropy but constant erosion will slowly drag it into decay, this is a parallel to our own existence.

Wash Monolith Plan


Wash Monolith, photo by Hallie Letsinger


Wash Monolith, photo by Hallie Letsinger